Gallipoli Art Prize 2015

I have been selected for the Gallipoli Art Prize with the painting, ‘Bones of the land, the collective unconscious’. The prize, judged by John McDonald, Jane Watters, Barry Pearce and John Robertson, reflects the creed of the Gallipoli Memorial club, values of “loyalty, respect, love of country, courage and comradeship.” The exhibition is being held at the Gallipoli Memorial Club, Sydney, the 23rd of April to the 3rd of May. My work, acrylic on linen, 98 x 107 cm, focuses on the landscape, “The landscape along with the Battle of Gallipoli is fused in the Australian collective unconscious, a place of memory, suffering and of war. Bones of the land are remnants and relics of this past. Images of soldiers carrying wounded comrades and a statue of an Ottoman soldier carrying a wounded Anzac, at the Gallipoli battlefield cemetery, have loosely inspired the figures within this landscape. It is the collective empathy of human suffering and compassion that unites all.”

kate-dorrough

Muswellbrook Art Prize

I have been selected for the 43rd Muswellbrook Art Prize, with the work ‘Marking the Terrain’. The judge was Anne Ryan, Curator of Australian prints, drawings and watercolours at the Art Gallery of NSW. The selected works are exhibited at the Muswellbrook Regional Arts Centre, 1st of March to the 19th of April 2015.

Oil on linen 98 x 107cm

 

Joshua Yeldham at Art House Gallery, ‘Surrender Tree’

Joshua Yeldham was the last solo exhibition at Art House Gallery for 2013 (I also exhibit at the same gallery), dates from the 20th November to 14th of December, at 66 McLachlan Avenue, Rushcutters Bay, Sydney. His works are a virtuoso in paint and carved pigment print on cotton paper, the colours, textures and surfaces are beautiful and seductive. The work is inspired by his home and studio setting, along the banks and on his boat, at Pittwater, (above Sydney), along the mangrove and inland water inlets.

“Yeldham’s work is a mapping of multiple realities. It charts the artist’s travels among the mangroves, the disused oyster leases and along the salty foreshores near Pittwater. Yeldham’s cartography moves within this world and without. He is not limited by the materiality of reaching tree limbs of the muddy matter of swamps. His paintings and photographic works move beyond the human-perceived environment. Instead, he deliberates on the fragile spaces in between, the liminal places in his heart and mind where imagination soars and intellect sings. He says,’the space between two lines is what connects us’.
Yeldham has been preoccupied, for many years, with the intersection of cultures, India, Malaysia, Indonesia, indigenous Australia….
Yeldham works as spiritual journeyman. He swoops, like his constant daemon-spirit or guardian owl, across these paintings which have been carved and caned, indigo-incised and marked, in time with his heart beat, in tempo with his private prayers…”
(excerpts from Prue Gibson’s catalogue text)
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‘White owl n/8 and n/7’, carved resin with cane and wire, and painting, ‘Temple of  Forgiveness – Morning Bay’, oil and cane on carved board, 152 x 204 cm.
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Detail of painting , ‘Temple of  Forgiveness – Morning Bay’, oil and cane on carved board, 152 x 204 cm.
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‘Yeoman’s Bay – Hawkesbury River’, oil, resin and cane on carved board, 200 x 244 cm (and details)
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‘Eagle Rock – Cottage Point’, oil and cane on carved board, 204 x 152 cm (and detail)
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(detail) ‘Sway – Mud Island’ shellac on unique carved pigment print on cotton paper, 160 x 150 cm
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(detail) ‘Falling water – Yeoman’s Bay’, oil and cane on carved board, 200 x 244 cm
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‘Surrender Tree – Morning Bay’, oil on carved board, 204 x 152 cm
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(details of ‘Surrender Tree – Morning Bay’)

‘One Night Stand’ at Damien Minton Gallery, night 9, Connie Anthes, night 11 featuring Rachel Burns and Ulan Murray

Damien Minton Gallery has created a great new initiative , ‘One Night Stand’, over 14 nights, 14 consecutive shows are held within the gallery space, 583 Elizabeth Street, Redfern, Sydney, running from 9th December to the 22nd December. I have managed to make to two of them so far, night 9, Tuesday 17th, ‘Low Relief’ curated by artist Connie Anthes, and night 11, Thursday 19th December, the works of Rachel Burns and Ulan Murray. It is really great to see such a range of artworks, artists practices and creatives from all fields and spectrums all exhibiting in such a whirlwind affair. Contributers to ‘One night stand’ range from the South Sydney Multicultural Community Center, Art Teachers, performers, Paul McDermott and Paul Livingston, the cooperative and pottery studio ClayPool and muscian, Robert Moore. Such contributers, often lying outside the traditional commercial gallery scene, has created a dynamic and energizing series of eventful nights.

http://damienmintongallery.com.au

Tuesday 17 December 2013
Low Relief, curated by Connie Anthes

“Inspired by two sets of gun-metal grey plan drawers acquired by artist Connie Anthes when Sydney’s last map shop closed in 2011, Low Relief explores the possibilities of shallow space and its relation to mapping place, time and ideas of perception. Twenty artists have each responded to a drawer with its original label intact, with the work to be displayed in situ and experienced one-on-one by the audience.

20 drawers/20 artists, including: Matthew Allen, Sarah Breen Lovett, Catherine Cassidy, Criena Court, Michaela Gleave, Sarah Goffman, David Haines, Janet Haslett, Greg Hodge, Leahlani Johnson, Anna Kristensen, Abbas Makrab, Noel McKenna, Ian Millis, Eric Niebuhr, Peter Nelson, Madeleine Preston, Peter Sharp, Floria Tosca, and Paul Williams.”

Thursday 19 December 2013
Rachel Burns + Ulan Murray

Rachel Burns
“This series of paintings deals with the Australian culture of the road trip. Living in such a vast and largely vacant land we often find ourselves travelling long distances, in our cars, at speed. As we drive through the landscape some things attract our eyes and others just become a blur of colour and form.

‘My works never attempts to be a realistic interpretation of the landscape but rather a jumble of remembered and imagined forms’

Ulan Murray
The sculptures celebrate the beauty and intricacy of nature. By altering the scale and abstracting the forms the works reflect nature’s mathematical structures. They look at the fragility and complexity of life forms reflecting the care needed for our ecological systems.”

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Rachel Burns paintings are all oil on canvas, and Ulan Murray’s sculptures (that also featured along with my ceramics at this years ‘Artisans in the Gardens’) are all recycled copper and steel.

Tanya Chaitow at Stella Downer Fine Art Gallery

Last week I caught up with Tanya and her beautiful show, ‘Moon Days’, at Stella Downer Gallery, at Danks Street, 2 Danks Street, Waterloo, Sydney. I have always admired Tanya’s work, the combination of the whimsical, pictorial and the allegorical combined with a thoughtful and contemporary treatment of space and surface.

http://www.stelladownerfineart.com.au

Ambiguity and whimsy are important elements in TANYA CHAITOW’S work and her fanciful paintings and drawings blur past and present, fact and fiction, internal and external reality. Adopting a naive style, CHAITOW is able to work intuitively to capture fleeting mental states and her poetic works are charged with a powerful psychological resonance. Working with a troupe of impossible characters, often part animal part human, CHAITOW offers up a vision of her personal mythologies. Like a playwright she enlists us in imaginary worlds where we are free to reflect and fantasise.”

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‘Moonlight’, acrylic on board, 12.5 x 35 cm, ‘Last Friends 2’, ‘Last Friends 1’ , both acrylic & enamel on board, 25.5 x 18 cm

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All acrylic on board and 25,5 x 18 cm, ‘It is truth I bring you’, ‘Full Moon’, ‘New Moon’, ‘Here night time is forgotten’, ‘Preparing for your arrival’

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Both acrylic on board, 25,5 x 18 cm, ‘Time doesn’t exist’, ‘Full Moon’

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‘Tracks of tomorrow’, acrylic on canvas. 33 x 33 cm

Self Life, Delmar Gallery

The annual exhibition, ‘Shelf Life’, at Delmar Galley, Trinity Grammar School, 144 Victoria Street, Ashfield, Sydney, 20th November to 8th December, 2013, covers a range of small scale works, that can easily be placed on a shelf, hence ‘Shelf Life’. The show has been really nicely curated and installed by Catherine Benz, the exhibition curator and gallery director of Delmar Gallery.

http://www.trinity.nsw.edu.au/4_community/socArts.htm

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Opening of America painting a nation, Art Gallery of NSW

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painting a nation

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What makes Americans American?

See the art that defined a nation in the most ambitious survey of American painting ever seen in Australia.

With many masterpieces shown here for the first time, the exhibition brings together over 90 works from major artists, such as James Whistler, Edward Hopper, Mark Rothko, Georgia O’Keeffe and Jackson Pollock.

Encounter the epic stories and dark chapters in American history, the sublime poetry and drama of the land, the ambition and optimism of the country’s pioneers, and the challenges of the frontier. Share the intimacy of family life and the gritty realism of the modern metropolis in this vivid account of the American experience.

With all-American theme nights, a huge Thanksgiving party, a greasy spoon diner, kids’ activities, films, boot scootin’, live bluegrass, hands-on workshops, pop-up bar and so much more, the Gallery turns red, white and blue. Join us as we breathe life into history and celebrate the good, the bad and the ugly in American culture, food and politics.

This exhibition is in collaboration with Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, the Philadelphia Museum of Art, and the Terra Foundation for American Art.

http://www.artgallery.nsw.gov.au/exhibitions/america

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Opening Night

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‘America’, the next day, outside the front of the Art Gallery of NSW