My work is featured in the current Artist Profile magazine, Issue 41, pages 130 to 132, in the Process section. In my own words I discuss the direction and processes of my current art practice.
A few excerpts from my article;
” My work has moved away from any specific landscape to become my own inner recollections, a reduced and abstracted essence of the land. The river, the trees, the rocks and broad spatial vistas become a series of signs or totems”
“Embedded in my works are memories and recollections of my youth, swimming in the Wollombi Brook, with its shallow, amber gumleaf-stained edges moving to the cool mysterious deep green umber depths. for me the river is a place of connection; a journey undertaken and a vehicle back to a slower pace and sense of place.”
“abstracted gestural calligraphic marks float above an expansive space of bleached and stained canvas. Colours transfuse from pinks to gold to blues, depending on the heat of the day. The marks made on the land are like a text or a series of musical notes, an implied language to be understood or deciphered. The works acknowledge our need to understand the land in order to work with and preserve ts fragile ecosystems.”