Damien Minton Gallery has created a great new initiative , ‘One Night Stand’, over 14 nights, 14 consecutive shows are held within the gallery space, 583 Elizabeth Street, Redfern, Sydney, running from 9th December to the 22nd December. I have managed to make to two of them so far, night 9, Tuesday 17th, ‘Low Relief’ curated by artist Connie Anthes, and night 11, Thursday 19th December, the works of Rachel Burns and Ulan Murray. It is really great to see such a range of artworks, artists practices and creatives from all fields and spectrums all exhibiting in such a whirlwind affair. Contributers to ‘One night stand’ range from the South Sydney Multicultural Community Center, Art Teachers, performers, Paul McDermott and Paul Livingston, the cooperative and pottery studio ClayPool and muscian, Robert Moore. Such contributers, often lying outside the traditional commercial gallery scene, has created a dynamic and energizing series of eventful nights.
Tuesday 17 December 2013
Low Relief, curated by Connie Anthes
“Inspired by two sets of gun-metal grey plan drawers acquired by artist Connie Anthes when Sydney’s last map shop closed in 2011, Low Relief explores the possibilities of shallow space and its relation to mapping place, time and ideas of perception. Twenty artists have each responded to a drawer with its original label intact, with the work to be displayed in situ and experienced one-on-one by the audience.
20 drawers/20 artists, including: Matthew Allen, Sarah Breen Lovett, Catherine Cassidy, Criena Court, Michaela Gleave, Sarah Goffman, David Haines, Janet Haslett, Greg Hodge, Leahlani Johnson, Anna Kristensen, Abbas Makrab, Noel McKenna, Ian Millis, Eric Niebuhr, Peter Nelson, Madeleine Preston, Peter Sharp, Floria Tosca, and Paul Williams.”
Thursday 19 December 2013
Rachel Burns + Ulan Murray
“This series of paintings deals with the Australian culture of the road trip. Living in such a vast and largely vacant land we often find ourselves travelling long distances, in our cars, at speed. As we drive through the landscape some things attract our eyes and others just become a blur of colour and form.
‘My works never attempts to be a realistic interpretation of the landscape but rather a jumble of remembered and imagined forms’
The sculptures celebrate the beauty and intricacy of nature. By altering the scale and abstracting the forms the works reflect nature’s mathematical structures. They look at the fragility and complexity of life forms reflecting the care needed for our ecological systems.”